My artistic practice unfolds at the intersection of choreography, dance (-teaching), performance, and body politics. It is research-driven, collaborative, and transdisciplinary — shaped by a queer-feminist perspective, a joy in improvisation, and a deep trust in embodied knowledge.
I approach choreography as a social space of relationality, where affective experiences become tangible and the tensions between intimacy, vulnerability, and political resistance can be explored through immersive settings.
At the moment, I am dedicating myself to the choreographic dialogue between body and material – accompanied by questions of bodily boundaries, porosity, exhaustion, and transience. I am particularly interested in how choreography can be experienced as a site of relational, affective, and embodied encounter – including through participatory and immersive formats that actively engage the audience.
At the moment, I am dedicating myself to the choreographic dialogue between body and material – accompanied by questions of bodily boundaries, porosity, exhaustion, and transience. I am particularly interested in how choreography can be experienced as a site of relational, affective, and embodied encounter – including through participatory and immersive formats that actively engage the audience.
info about my previous work around embodied research and teachings in body politics, yoga, axis syllabus, contact improvisation and performance can be found on my former blog, which I now leave as an archive : https://movementactivism.wixsite.com/website